891 results where found for «Canción de un hombre medio»


Go Tell It to the Rain (Ve y díselo a la lluvia)

Music piece by:
Clan 91
Testimony by:
Eduardo Ojeda
« We had a comrade who sang beautifully. He was called Peye and was a student at the State Technical University. »
[...]
« but in the rain, you can unburden yourself »
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The Little Snail (El caracolito)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« I composed this song for a small children’s party we organised in the visitors’ yard of the Valparaíso Jail. I remember how the children had fun that day and enjoyed the play. That was the first time I put down the guitar so that a prisoner who played the accordion could accompany me. »
[...]
« said the sun to the good snail. »
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Little Doctors (Doctorcitos)

Music piece by:
unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
[...]
« unknown. Folk tune from the Andes highlands »
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Little Doctors (Doctorcitos)

Music piece by:
unknown. Folk tune from the Andes highlands
Testimony by:
Guillermo Orrego Valdebenito
« In 1974 - I don’t quite remember the month - the Chacabuco Olympics were held. The opening ceremony consisted of symbolically carrying the Olympic torch through the concentration camp. »
[...]
« unknown. Folk tune from the Andes highlands »
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Beloved Friend (Amado amigo)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
[...]
« about doves on one hundred pesos coins »
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The Great Gigi L’amoroso (Gigi el amoroso)

Music piece by:
Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida in various languages: Italian ('Gigi L’amoroso'), Spanish ('Gigi el amoroso'), French ('Gigi l'amour'), English ('The Great Gigi l’amoroso'), German ('Gigi der Geliebte') and Japanese ('Ai suru Jiji').
Testimony by:
Eduardo René Cuevas
« This song was used while the Military Intelligence Service (SIM) subjected me to cruel torture at a clandestine torture centre in the southern Chilean city of Los Ángeles. »
[...]
« and the widow, the young one »
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The Scholar (El letrado)

Music piece by:
Quelentaro (Gastón and Eduardo Guzmán)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 – February 1974
« From the first time I heard it, I was impressed by the way the duo Quelentaro sang this song, which was also written by them. When I sang it, I always tried to sing it in their style. I never sang it on stage, only for myself or for small groups of friends strumming guitars together. »
[...]
« And he smiled as he sung goodbye »
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With the Sprouts I Sowed (Y con brotes de mi siembra)

Music piece by:
Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularised by Los Moros and Jorge Yáñez.
Testimony by:
Guillermo Orrego Valdebenito
« In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed, and another theatre that was inside the concentration camp. »
[...]
« She pranced around my window »
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Run Run Went up North (Run Run se fue pa'l norte)

Music piece by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
« Run Run... On the big pitch, mild summer weather was in the air. »
[...]
« Run Run headed north. »
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Futuristic Anthem (Himno futurista)

Music piece by:
unknown
Testimony by:
Patricio Polanco
Experience in:
« In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
[...]
« unknown »
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